65 Types of Shots & Camera Angles: Filmmaking Guide
When it comes to filmmaking, every shot is a chance to tell your story in a way that words alone can’t. Whether you’re capturing the intense close-up of an actor’s expression or the sweeping aerial view of a vast landscape, the way you frame your shot shapes how your audience experiences the scene.
But with so many different types of shots and camera angles to choose from, it can be overwhelming to know which one will best serve your narrative.
Ready to unlock the visual power of your storytelling?
Let’s dive into the essential guide to 70 types of shots and camera angles that every filmmaker should know.
Here are the Numerous Types of Shots & Camera Angles
Here’s a deep dive into the wide array of shots and camera angles that can transform your filmmaking and elevate your visual storytelling.
Fundamental and Versatile Shots:
1. Master Shot
A master shot is a filmmaking technique where the entire scene is captured from a wide angle in a single take. It typically includes all the characters and actions, serving as the foundation of the scene. This shot helps establish the setting, relationships between characters, and overall mood.
Filmmakers often use it as a reference point, cutting to close-ups or other angles while maintaining continuity. The master shot is crucial for providing context and ensuring that the entire scene is covered, allowing for flexibility during the editing process.
It’s a staple in visual storytelling, enhancing clarity and flow.
2. Establishing Shot
An establishing shot is a wide-angle shot used in filmmaking to introduce the setting of a scene. It usually appears at the beginning of a sequence, giving viewers a clear sense of where the action takes place, whether it’s a city, a house, or an outdoor landscape.
By providing context, the establishing shot sets the mood and prepares the audience for the following action. It helps orient viewers, making the transition between scenes smoother and more engaging.
This technique is key in visual storytelling, enhancing the overall flow and understanding of the narrative.
3. Wide Shot
A wide shot captures a scene from a distance, showing the subject in its entirety along with the surrounding environment. It emphasizes the context and location while still including the subject within the frame.
Wide shots are often used to establish the setting, show the scale of a scene, or highlight the relationship between the characters and their surroundings. This type of shot provides a broader perspective, making it useful in scenes that involve action, landscapes, or group interactions.
It helps convey the full scope of the moment, enhancing the audience’s sense of place and scale.
4. Medium Shot
A medium shot frames the subject from the waist up, balancing both the character and their surroundings. It’s commonly used in dialogue scenes, offering a closer look at facial expressions and body language while still showing some of the background.
This shot creates an intimate connection with the subject, making it ideal for character interactions, reactions, or moments of reflection.
The medium shot strikes a balance between wide shots that emphasize the setting and close-ups that focus entirely on detail, helping to maintain the flow of the narrative while drawing attention to key emotional or narrative elements.
5. Body Shot
A body shot refers to a framing technique that captures the subject’s entire body, from head to toe. It’s often used to show a character’s posture, movement, or interaction with their environment.
This type of shot helps convey a sense of the subject’s physicality, body language, and even clothing, giving a fuller perspective of their presence in the scene. It’s commonly used in action scenes, dance sequences, or moments where a character’s physical performance is key to the story.
The body shot provides a comprehensive view, allowing the audience to focus on both the character and their movements.
6. Close-Up Shot
A close-up shot focuses tightly on a subject, often framing just the face or a specific detail like hands or an object. It’s used to highlight emotions, reactions, or important elements in the scene, drawing the audience’s attention to subtle expressions or key details.
This shot creates an intimate and intense connection, allowing viewers to feel closer to the subject and better understand their feelings or thoughts. Close-ups are powerful in storytelling, enhancing emotional depth and adding dramatic weight to the narrative.
They’re often used in pivotal moments where the smallest expressions matter most.
7. Extreme Wide Shot
An extreme wide shot captures a vast area, showing the subject from a great distance, often making them appear small or even insignificant compared to the environment.
This shot emphasizes the scale of the location, giving viewers a broader sense of the surroundings and setting the tone for the scene. It’s commonly used in epic or action films to showcase landscapes, large-scale events, or vast cityscapes.
The extreme wide shot helps establish context and mood, often creating a feeling of isolation, grandeur, or overwhelming space, drawing attention more to the environment than the characters themselves.
8. Long Shot
A long shot frames the subject from head to toe while capturing a significant portion of the background. It’s used to show the full body of a character in relation to their surroundings, giving the audience a clear sense of both the subject and the environment they are in.
Long shots are often employed to emphasize movement, action, or the spatial relationship between characters and their setting. They help create a broader perspective, allowing viewers to observe how characters interact with their environment, making it especially effective in action scenes, establishing scenes, or moments of physical expression.
9. Medium Long Shot
A medium-long shot frames the subject from around the knees up, offering a balance between the subject and the surrounding environment. It’s often used to show body language while still providing some context of the setting.
This shot is commonly referred to as the “cowboy shot” in film, as it was popular in Westerns to show characters from the knees up, including their holstered guns.
The medium-long shot is effective in dialogue scenes or moments where gestures and movements are important, giving viewers a sense of both the character’s actions and their surroundings.
10. Extreme Long Shot
An extreme long shot captures a vast area from a great distance, often making characters appear tiny or even invisible compared to the environment.
This type of shot is used to emphasize the scale of a location or landscape, conveying a sense of grandeur, isolation, or insignificance of the subject within their surroundings. It’s commonly used in films to introduce expansive settings like mountains, deserts, or cities, creating a strong visual impact.
The extreme long shot focuses on the environment rather than the subject, setting the scene or mood and providing context before the action unfolds.
11. Medium Close-Up Shot
A medium close-up shot frames the subject from just above the shoulders to just below the chin, focusing more closely on the face and upper body than a standard medium shot.
This shot allows viewers to see detailed facial expressions and emotions while still including some of the character’s surroundings. It’s often used in dialogue scenes to capture subtle emotional nuances and reactions, providing a balance between intimacy and context.
The medium close-up is ideal for moments requiring a close look at a character’s expressions or interactions without eliminating the background.
12. Extreme Close-Up Shot
An extreme close-up shot tightly focuses on a specific detail or feature, such as a character’s eye, a hand, or a critical object. It magnifies the detail to emphasize its importance or to convey intense emotions and reactions.
This shot is used to draw attention to crucial elements that might otherwise go unnoticed, adding dramatic impact or highlighting key aspects of the scene.
Extreme close-ups create a sense of intimacy or tension, allowing viewers to closely observe minute details and emotional subtleties, making them a powerful tool in visual storytelling.
13. Over the Shoulder (OTS) Shot
An over-the-shoulder (OTS) shot is framed from behind one character, with the shoulder and back of the head visible in the foreground, focusing on the subject or scene in front of them.
This perspective is commonly used in dialogue scenes to establish a connection between characters, providing viewers with the sense of being part of the conversation. It helps convey the point of view of the character whose shoulder is visible, adding depth to interactions and emphasizing their perspective.
The OTS shot is effective for showing reactions and maintaining spatial relationships between characters.
14. Point-of-View Shot (POV)
A point-of-view (POV) shot simulates the perspective of a character, showing what they see as if the camera is their eyes. This shot immerses viewers in the character’s experience, offering a direct insight into their thoughts and perceptions.
By aligning the camera with the character’s viewpoint, the POV shot enhances empathy and involvement, allowing the audience to experience events and emotions from the character’s perspective.
It’s often used in scenes to convey personal or subjective experiences, heightening the impact of crucial moments and deepening the connection between viewers and characters.
15. Two Shot
A two-shot frames two characters in the same shot, often used in dialogues or interactions to show their relationship and spatial dynamics. It captures both characters from a range of distances, from medium to wide, depending on the scene’s needs.
This shot helps establish the connection between the characters, highlighting their interactions and reactions in a shared context.
It’s effective for illustrating conversations, emotional exchanges, or collaborative actions, providing viewers with a clear understanding of how characters relate to each other within the scene.
16. One Shot
A one-shot focuses on a single character or object within the frame. It’s used to highlight that character or object in isolation, often providing a detailed view of their emotions, actions, or significance to the scene.
This shot is effective for drawing attention to a character’s reaction, expression, or personal moment, allowing the audience to engage closely with the subject without distractions from others.
The one shot can be employed to emphasize key moments or to create a sense of intimacy and focus, making it a versatile tool in visual storytelling.
17. Three Shot
A three-shot includes three characters within the frame, often used to depict interactions or relationships between them. This shot captures the dynamics and spatial relationships among the characters, providing context for their interactions.
It’s commonly used in scenes with group conversations, collaborative actions, or when illustrating how characters influence each other.
By including all three characters in a single shot, it helps maintain a cohesive visual narrative, allowing viewers to understand the connections and interactions between the characters clearly and engagingly.
Important Camera Angles:
18. High Angle Shot
A high-angle shot is captured from above the subject, looking down. This angle can make the subject appear smaller, weaker, or more vulnerable, creating a sense of power imbalance in the scene.
It’s often used in moments where a character feels overwhelmed or threatened, highlighting their vulnerability within the narrative.
19. Low Angle Shot
In contrast, a low-angle shot is taken from below the subject, looking up. This angle can make the subject appear larger, more imposing, or dominant, often used to convey power, strength, or authority.
It’s a common technique in scenes where the filmmaker wants to emphasize the superiority or intimidation of a character.
20. Eye Level Shot
An eye-level shot is taken at the same height as the subject’s eyes, creating a neutral perspective. This angle is the most natural and commonly used, as it allows the audience to see the scene from the character’s point of view without adding any dramatic influence.
It’s great for scenes of dialogue or everyday interactions where the filmmaker wants to keep things grounded and relatable.
21. Overhead Shot
Also known as a bird’s-eye view, this shot is taken from directly above the subject. It can be used to provide a unique perspective, showing the layout of a scene or the spatial relationships between characters.
Overhead shots are often employed to convey a sense of surveillance, and detachment, or to give the audience a god-like view of the action.
22. Canted Shot
A canted or Dutch angle shot tilts the camera so that the horizon line is slanted. This creates a sense of unease, tension, or disorientation in the scene, often used in moments of psychological distress or chaos.
It’s an effective way to visually represent instability or a shift in the character’s world.
23. Reverse Angle Shot
A reverse angle shot captures the action from the opposite side of a preceding shot, typically used in conversations. This angle helps to show the other participant’s perspective, adding depth to the interaction.
It’s a staple in dialogue scenes, helping to create a natural back-and-forth between characters.
24. Profile Angle
The profile angle captures the subject from the side, often at a 90-degree angle. This shot is useful for showing a character’s profile, emphasizing their features, or capturing action that moves horizontally across the screen.
It’s commonly used in scenes where the characters are walking or interacting with something beside them.
25. Shoulder Level Shot
This shot is taken at shoulder height, often used to focus on the upper body and face without the dominance of the background.
It’s a great way to highlight a character’s emotions or actions while still keeping some context of the environment. Shoulder-level shots are frequently used in conversation scenes or to emphasize a character’s posture and gestures.
26. Knee Level Shot
A knee-level shot frames the subject from knee height, often used to show action involving the legs or to create a sense of low perspective.
This angle can add dynamism to a scene, especially in action sequences, or emphasize a character’s movement. It’s also used to give a unique perspective on the scene, often making the audience feel closer to the action.
27. Hip Level Shot
Captured at hip height, this shot is used to frame the subject’s torso and waist. It’s often used in Westerns to highlight holstered guns during standoffs, but it can also be effective in modern settings to focus on body language or the interaction of characters at waist level.
Hip-level shots can add subtle tension or highlight specific actions, like reaching for an object.
28. Top Shot
Similar to an overhead shot, a top shot is taken from directly above the subject, looking down.
It’s used to give a broad view of the scene or to focus on the spatial arrangement of elements within it. Top shots are particularly effective in action scenes or to emphasize the isolation or insignificance of a character within a larger environment.
29. Side Shot
A side shot captures the subject from a side angle, often used to show profiles or to focus on interactions that involve lateral movement.
This shot is effective in highlighting character relationships, especially when they are standing side by side, or showcasing actions that unfold across the frame. It’s a straightforward angle that can be used to add balance to a scene.
30. Back Shot
A back shot is taken from behind the subject, often focusing on what they are looking at or where they are going.
This shot can create a sense of mystery or anticipation, as the audience sees the scene from the character’s perspective without fully revealing their emotions.
It’s commonly used to build suspense or to lead the viewer into the next part of the narrative.
31. Front Shot
A front shot captures the subject head-on, often used to convey direct emotion or confrontation. This shot is powerful for moments where the filmmaker wants the audience to connect directly with the character’s feelings or expressions.
It’s a straightforward and impactful way to draw attention to the subject’s face or actions.
32. Landscape Shot
A landscape shot emphasizes the natural environment, often captured with a wide lens to showcase the scenery.
This shot is used to establish location, create mood, or convey the vastness of a setting. Landscape shots are essential in films that rely on the environment as a key element of the story, such as Westerns, adventure films, or epics.
33. Portrait Shot
A portrait shot focuses on the subject, usually framing them from the chest up in a vertical orientation. It’s used to capture detailed expressions and emotions, often isolating the character from the background.
Portrait shots are intimate, bringing the viewer close to the subject and highlighting the personal aspects of the scene.
Dynamic Shots:
34. Tracking Shot
A tracking shot involves moving the camera alongside or following the subject as they move through a scene. This can be done using a dolly, Steadicam, or even handheld, depending on the desired effect.
Tracking shots are used to immerse the audience in the action, creating a fluid sense of movement that feels natural and engaging.
They’re often used in scenes where the character is walking or running, allowing the audience to follow along with the action.
35. Dolly Shot in Filmmaking
A dolly shot is created by placing the camera on a wheeled platform, or dolly, and moving it towards or away from the subject. This shot can smoothly change the audience’s perspective, whether by pushing in to emphasize a character’s emotions or pulling back to reveal more of the scene.
Dolly shots are a staple in cinematic storytelling, offering a controlled and polished way to guide the viewer’s focus.
36. Dolly Zoom Shot (Zolly Shot)
Also known as the “Vertigo Effect,” the dolly zoom shot is a combination of a dolly movement and a zoom.
As the camera dollies closer or further from the subject, the lens zooms in the opposite direction, creating a disorienting effect where the background seems to stretch or compress while the subject remains the same size.
This shot is often used to convey psychological distress, realization, or a dramatic shift in perception.
37. Crane Shot
A crane shot is achieved by mounting the camera on a crane, allowing it to move vertically, horizontally, or even diagonally through the air.
This shot can capture sweeping, grand movements, often used to reveal a scene from above or to follow action from a bird’s-eye view down to ground level.
Crane shots add a sense of scale and grandeur to a scene, often used in epic moments or to transition between scenes with a dramatic flair.
38. Panning Shot
A panning shot involves rotating the camera horizontally on a fixed axis, typically from left to right or vice versa. This shot is often used to follow a subject moving across the frame, reveal new elements within a scene, or create a sense of continuity in action.
Panning shots are versatile and can add energy to a scene, guiding the viewer’s attention smoothly across the screen.
39. Steadicam Shot
A Steadicam shot uses a stabilizing rig that allows the camera to move smoothly through a scene, even over uneven surfaces or during complex movements.
This shot is ideal for capturing fluid, dynamic motion without the shakiness of a handheld camera. Steadicam shots are often used in scenes with intricate choreography, such as long takes that follow characters through different spaces, maintaining a cinematic feel while staying close to the action.
40. Hand Held Shot
A handheld shot is captured with the camera held directly by the operator, resulting in a slightly shaky, more raw feel.
This shot is often used to create a sense of immediacy or realism, making the audience feel like they are right in the middle of the action.
Handheld shots are common in documentaries, action sequences, or any scene where a gritty, authentic vibe is desired.
41. Drone Shot or Aerial Shot
A drone shot, also known as an aerial shot, is captured from a high altitude using a drone, offering expansive views of landscapes, cities, or large-scale action scenes.
This shot provides a perspective that was once only possible with helicopters, now more accessible with drones. Drone shots are often used to establish location, show the vastness of a setting, or create a dramatic opening or closing for a scene.
42. Zoom Shot
A zoom shot involves changing the focal length of the camera lens to magnify or shrink the subject in the frame without moving the camera itself.
This shot is used to draw attention to a specific detail or to reveal more of the scene without altering the camera’s physical position.
Zoom shots can be subtle or dramatic, depending on the speed of the zoom, and are often used to create a sense of focus or tension.
43. Zolly Shot
The Zolly shot, another name for the dolly zoom shot, combines the smooth motion of a dolly with the visual distortion of a zoom. It’s used to create a surreal or unsettling effect, making it popular in thriller and horror genres to depict moments of shock, realization, or intense emotion.
This shot is memorable for its ability to visually convey a shift in a character’s perception or emotional state.
44. Arc Shot
An Arc Shot involves moving the camera in a circular motion around the subject, usually at a consistent distance. This shot adds a dynamic feel to a scene, creating a sense of movement and energy while keeping the subject in focus.
Arc shots are often used in moments of realization or to add a dramatic flair to a character’s introduction or key action.
45. Whip Pan Shot
A whip pan is a rapid, blurry pan from one subject to another, creating a quick transition between scenes or points of interest.
This shot is often used to convey urgency or surprise, and it can also serve as a creative way to transition between scenes or moments within the same scene.
Whip pans are effective in action sequences or fast-paced dialogue, adding to the intensity and speed of the moment.
46. Whip Tilt
Similar to a whip pan, a whip tilt is a fast, vertical movement of the camera, typically from top to bottom or vice versa.
This shot can be used to reveal something quickly, create a sense of disorientation, or transition between different visual planes in a scene. Whip tilts are less common than whip pans but are equally effective in adding a sense of speed or surprise.
47. Pedestal Shot
A Pedestal Shot involves moving the camera vertically up or down without tilting it. This shot is used to follow a subject’s vertical movement or to change the perspective from high to low (or vice versa) within a scene.
Pedestal shots can create a smooth, controlled transition between different heights, often used to emphasize a character’s position or to reveal elements of a scene gradually.
Specialized Shots:
48. Cowboy Shot
The Cowboy Shot frames the subject from mid-thigh up, often used to show a character’s holstered guns, which is where the name comes from. It’s popular in Westerns but also useful in other genres for emphasizing a character’s stance, movement, or interaction with their environment.
This shot allows for a good balance between the character and the surrounding setting, often used in standoffs or confrontational scenes.
49. Crab Shot
A crab shot involves the camera moving sideways, often on a track, like a crab scuttling across the sand. This lateral movement can follow a subject or reveal different aspects of a scene, creating a dynamic and fluid motion.
Crab shots are effective for tracking characters as they move horizontally across the frame, offering a continuous, immersive view of the action.
50. Cut Away Shot
A cutaway shot is a brief shot that interrupts the main action to show something related to the scene, like a reaction or a relevant object.
It’s often used to give the audience additional information or context, such as showing a character’s reaction to an event or highlighting a key detail. Cutaways help to build tension, provide context, or smooth over edits in a scene.
51. Insert Shot
An insert shot is a close-up of a specific detail within a scene, like a hand picking up an object or a clock ticking.
This shot is used to draw attention to important elements that might otherwise be overlooked, adding emphasis to key moments.
Insert shots are often used to convey critical information to the audience without distracting from the main action.
52. Reaction Shot
A Reaction Shot focuses on a character’s response to an event, dialogue, or action within the scene. This shot is crucial for conveying emotions and is often used in conversations to show how one character reacts to another’s words or actions.
Reaction shots help to build empathy with the audience, making the character’s emotions more relatable and impactful.
53. Sequence Shot
A Sequence Shot is a long take that captures an entire scene or sequence without cuts, creating a continuous flow of action. This shot can be very challenging to execute but is highly effective in immersing the audience in the action, making them feel like they are witnessing the events in real-time.
Sequence shots are often used in action scenes, dramatic moments, or to showcase complex choreography.
54. Pickup Shot
A pickup shot is filmed after the main production has wrapped, often used to fill in gaps, clarify story points, or add additional angles that were missed during the initial shooting.
These shots are usually brief and are seamlessly integrated into the existing footage to improve the overall flow and continuity of the scene. Pickup shots are essential in ensuring that the final edit is smooth and cohesive.
55. Ground Level Shot
A ground-level shot is taken with the camera positioned at or near the ground, looking straight ahead or slightly upwards.
This shot is often used to show action from the perspective of someone lying down or to capture movement close to the ground, such as a car chase. Ground-level shots add a unique perspective and can make the action feel more intense or immediate.
56. Night Shot
A night shot is filmed in low-light conditions, typically after sunset, to capture the mood and atmosphere of a nighttime scene. This shot requires careful lighting and camera settings to maintain visibility while preserving the darkness of the scene.
Night shots are commonly used in horror, thriller, or dramatic genres to create a sense of mystery, tension, or intimacy.
57. Vertigo Shot
The vertigo shot, also known as a dolly zoom, involves moving the camera in and zooming out simultaneously, or vice versa, to create a disorienting effect. This shot is famously used in Alfred Hitchcock’s “Vertigo” and is often employed to convey a character’s sudden realization, shock, or psychological distress.
The vertigo shot is visually striking and often used to enhance a pivotal moment in the story.
58. MOS in Film Script
MOS stands for “Mit Out Sound” (a humorous take on the German-accented “Without Sound”), indicating that a particular shot or sequence is filmed without synchronized sound. This is used when the sound is not necessary or will be added in post-production.
MOS shots are common in scenes where dialogue isn’t required, such as montages, silent action sequences, or visual effects shots.
59. Still Shot
A still shot captures a single frame or a motionless scene, often used to freeze a moment in time or to create a photographic effect within the film. This shot can be powerful for emphasizing a particular image, mood, or detail, often used at the beginning or end of a scene to leave a lasting impression.
Still, shots are also used in storyboards or promotional materials to represent key moments in the film.
Focus Shots:
60. Shallow Focus Shot
A Shallow Focus Shot is characterized by a narrow depth of field, where only the subject is in sharp focus while the background and foreground are blurred. This technique draws the viewer’s attention directly to the subject, emphasizing their importance within the frame.
Shallow focus is often used to isolate characters or objects, creating an intimate or dramatic effect, especially in close-up shots.
61. Deep Focus
Deep focus is the opposite of shallow focus, where the entire scene, including the foreground, middle ground, and background, is in sharp focus. This technique allows the viewer to see everything in the frame clearly, creating a sense of depth and realism.
Deep focus is often used in scenes with significant visual or narrative detail, allowing multiple elements to be observed and interpreted simultaneously, as seen in many classic films by directors like Orson Welles.
62. Rack Focus Shot
A rack focus shot involves shifting the focus from one subject to another within the same shot. This technique is used to direct the viewer’s attention from one element to another, creating a dynamic shift in focus that can reveal important details or change the emphasis of the scene.
Rack focus is commonly used in conversations, where the focus moves between different characters, or to highlight a sudden realization or discovery.
63. Tilt-Shift
Tilt-shift is a technique that involves tilting the camera lens relative to the image plane and shifting it to create a selective focus effect. This creates a miniature or toy-like appearance in the scene, making it look as though the objects or subjects are much smaller than they are.
Tilt-shift is often used in photography and filmmaking to create a unique, stylized effect, making real-life scenes appear like tiny, detailed models.
64. Soft Focus
A soft focus shot deliberately blurs the image slightly to create a dreamy, ethereal effect. This technique is often used in romantic scenes, flashbacks, or to convey a sense of nostalgia or fantasy.
Soft focus can also be used to flatter subjects, soften imperfections and create a more gentle, pleasing image. The effect is typically achieved by using special lenses, filters, or post-production techniques.
65. Matte Shot
A matte shot is a special effects technique where two separate images are combined into a single shot, usually by filming the live action against a blank background and then adding a painted or digitally created background.
This technique is used to create scenes that would be impossible or impractical to shoot in real life, such as fantastical landscapes, distant locations, or futuristic settings. Matte shots are a classic tool in visual effects, used in everything from historical epics to sci-fi films.
Conclusion
In the world of filmmaking, the choice of shots and camera angles is far more than just a technical decision—it’s a powerful storytelling tool. Each shot, whether it’s a deep focus that immerses you in the entire scene or a vertigo shot that makes you feel a character’s inner turmoil, shapes the way the audience experiences the story.
Mastering these techniques allows filmmakers to guide the viewer’s emotions, draw attention to crucial details, and create a visual language that speaks as powerfully as words.
Whether you’re capturing the vastness of a landscape with a wide shot or the intensity of a character’s emotion with a close-up, understanding the impact of each shot is key to crafting a compelling narrative. So, as you continue your journey in filmmaking, remember that every frame is an opportunity to deepen the connection between the story and the audience.
Frequently Asked Questions
Why are camera angles important in filmmaking?
Camera angles play a crucial role in storytelling and can enhance the mood and tone of a scene. They can also be used to convey relationships between characters and create a sense of depth and dimension in the film.
What are the main types of camera shots?
The main types of camera shots include wide shots, medium shots, and close-ups. These shots help establish context, provide character interaction details, and capture emotional expressions.
How does the camera angle affect storytelling?
Camera angles influence a viewer’s perception by adding emphasis. Low angles can make characters appear powerful, while high angles may create a sense of vulnerability.
What’s the difference between a long shot and an extreme long shot?
A long shot captures a character within their environment, providing context, while an extreme long shot places more emphasis on the location, making characters appear smaller.
